Sunday, November 19, 2017

The Movie, 'Padmavati' - Historical Fiction or Historical Documentary?

It was in 'Chandamama', the once-famous monthly magazine of children's stories,  that I'd first read the story of Rani Padmavati of  Chittor.

Somehow, I vividly remember two images from that story.

Just two.


One image of an Allaudin Khilji looking at Rani Padmavati with an evil-ish grin, through a mirror, while he was talking to her husband.

And the other of Rani Padmavati, with some women behind her, getting reading to jump into a huge fire, in order to commit Jauhar, after she discovers that her husband has been killed in a battle with Khilji's troops.

Years later, it was in a Hindi language class, at our degree college, that I'd learned more about Allaudin Khilji, one of the most powerful-and-brutal sultans of 14th century Delhi. And also about his courtier Amir Khusrau.

I remember our Hindi lecturer telling us that Allaudin Khilji was a great patron of arts. And that he promoted music, painting, and sculpture, with great enthusiasm.

But as our lecturer was addressing the Bhakti and Sufi Movements of 13th and 14th century India, he'd obviously focussed on explaining to us the artistic expression of those times, and of the Sultan's courtier Amir Khusrau, with other artists.

Our lecturer did not tell us about the sultan's brutal wars, or about the thousands of Rajputs massacred at sultan's orders. But, I know now that it is a historical fact, from many sources.

We had learned then, mainly, that Amir Khusrau was a great Sufi musician regarded as the "Father of Qawwali" and a great exponent of 'Ghazal', 'Ruba'i' and 'Tarana' forms of music. And that Amir Khusrau was also instrumental in the invention of tabla in the 14th century (pun unintended).



But now, since the last few days, it is through the cyber-battles I am following on Internet - surrounding the controversy of the yet-to-release movie Rani Padmavati - that I learned a lot more.

I learned that...

  1. Amir Khusrau was a historian too, albeit controversial. And that much of what we know of the Khilji dynasty of the 13th and 14th century - and of Allaudin Khilji - is known from Khusrau's writings. With corroborations by his contemporaries, some of whom were actual historians; and by others later.
  2. According to historical records, somewhere around 1302-1303 CE, Alauddin Khilji had dispatched an army to ransack the Kakatiya capital Warangal. 
  3. Alauddin himself had then led another army to conquer Chittor, the capital of the Guhila kingdom ruled by Ratnasimha (Ratan Singh).
  4. Alauddin captured Chittor after an eight-month-long siege.
  5. And, interestingly, according to his courtier Amir Khusrow, Alauddin ordered a massacre of 30,000 local Rajput Hindus after this conquest.
More interestingly, I learned that...
  1. Alauddin Khilji invading Chittor to capture Ratnasimha's beautiful queen Padmini, is actually a legend which had come out much later. 
  2. The existence of Queen Padmini, in the history of Rajput tribes, is completely unknown.
  3. There is tons of information on Rajput warriors, their conquests, and losses, with corroborative references. But nothing of Rani Padmavati.
  4. The only known source is folklore; A poem/legend called 'padmavat'
  5. This 'padmavat' is composed by an Awadhi artist named Malik Muhammad Jayasi.
  6. Padmavat was written some 230 years after Allaudin Khilji's attack on Chittor
  7. Modern historians have rejected the authenticity of these legends/myths.
  8. Rani Padmavati is a fable that has attracted us for centuries, because we see in it: beauty, desire, greed, passion, envy, plotting, murder and tragedy.

According to a Financial Express article from two days ago, "An Archaeological Survey of India (ASI) board at the entrance to ‘Padmini Palace’ in Chittorgarh carries this legend: “It is said that here Mahrawal Ratan Singh showed a glimpse of the legendary beauty of his wife Rani Padmini to Alauddin Khilji through a mirror. After which, Alauddin Khilji went to the extent of ravaging Chittaur in order to possess her” (Financial Express, 17 November 2017).

So, quite clearly, we can see that even ASI used the words "It is said" to indemnify themselves from giving misinformation on history and archaeology.

But, the biggest surprise I found is this.

According to a 'Times of India' article, here is what the poet of 'Padmavat' said:

"According to the Imperial Gazetter of India, 1909, "In the final verses of his work, the poet explains that it is all an allegory. By Chittor he means the body of man; by Ratan Singh, the soul; by the parrot, the guru or spiritual protector; by Padmavati, wisdom; by Alauddin, delusion, and so on" (Times of India, Jan 29, 2017)

Now, therefore, what is my view on this controversy?

I think the controversy is completely senseless. A mockery of our intelligence.

Shockingly, I now hear that Rs 10 Crores has been announced for the beheading of actress Deepika Padukone, who played "Padmavati" and also for the movie's Director Sanjay Leela Bhansali.

They are taking this controversy to ridiculous heights!

All sane minded individuals must condemn this crazy passion and rage! And the government must issue a warning and arrest those making such out-rightly murderous statements.

My take on this controversy.

  1. History cannot be learned from fictional movies.
  2. When writers/directors say that their book/movie is fiction, why worry?
  3. A case in point is Dan Brown's book 'Da Vinci Code', which angered many Christians. The book is 'fiction' said the author. But, as had cleverly woven his story with some historical facts and some contemporary facts, it became controversial. 
  4. A lot of fiction is based on reality, but we should not think everything in it is real.
  5. Getting emotional on fiction is a sign of immaturity
  6. We must read history like historians, with careful scientific inquiry
  7. We must enjoy fictional stories in books/movies like readers seeking entertainment
  8. Padmavati is a myth, a legend, a fable. Thinking that it is anything more is foolishness
  9. We must ask our children to dig into history books, for history (unless they are historical documentaries)
  10. Even if they are not accurate, historical fiction can give us good insight into the life and times of people of specific historical periods
I am happy with one aspect of this controversy.  That the really sensible people will seek the truth. Hopefully with a spirit of scientific inquiry.

Let us enjoy the movie, if and when it releases. And tell the people that there is a difference in Education and Entertainment. In historical documentaries and historical fiction.

And that, sometimes, we get great value from many perspectives of historical fiction.


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Some extra web-links:

  1. Padmavati isn’t history, so what’s all the fuss about?
  2. The legend of Padmavati and how to read that immortal poem today
  3. Padmavati controversy: Did Alauddin Khilji really see Rani Padmini? Here is truth
  4. Was Amir Khusrau a Historian? Examining his Work in a Contemporary Framework?
  5. The History of Tabla



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