Monday, September 17, 2012

Free Speech or Sedition?

In India, the arrest of cartoonist Aseem Trivedi under section 124-A of the Indian Penal Code , for sedition, has triggered once again, a debate on Free Speech; and whether the Sedition Law is really draconian and outdated.

The cartoonist was arrested on charges of mocking the Constitution, the Parliament and the National flag through his cartoons.

And, now, though he is released on bail on September 12 with promises that charges will be dropped, the issue of ‘freedom of expression’ is once again at the forefront.

I have seen the controversial cartoons of Aseem Trivedi and, personally, I found them very tasteless and very coarse. But, he seems to have somehow driven home his point strong enough for the government to wake up and arrest him.

Only an international public outcry from far and wide, including from ‘Reporters without Borders’ and ‘Amnesty International’, has made the government release him.

We can examine this issue from two angles; Firstly, on the law on which he was arrested and secondly, on the cartoons he drew. 

Indian Penal Code was written during the British Raj. It was drafted in 1860 and came into force in 1862. Earlier to that, the Mughal ‘Sharia’ law was largely applicable, with Hindu Law being given precedence by courts depending on which princely state it was in, and depending on who the subjects on trial were.

This particular section itself (IPC 124A on Sedition) has undergone amendments over time.  Words like ‘Her Majesty’s Government’ and ‘British India’ were replaced by newer words like ‘government’ and ‘India.’

The section states that “Whoever, by words, either spoken or written, or by signs, or by visible representation, or otherwise, brings or attempts to bring into hatred or contempt, or excites or attempts to excite disaffection towards the Government established by law in India shall be punished with imprisonment for life, to which fine may be added, or with imprisonment which may extend to three years, to which fine may be added, or with fine”. 

This law was perhaps needed when public awareness was less, and when respect towards the government was, in effect, a demand by the government. Obedience without questions was perhaps necessary, at times, in the interest of national security. 

But, today, however, I wonder if the body politic needs any protection. Thanks to technology, the growth of social and mass media has been phenomenal. And governments cannot underestimate people’s awareness levels, and their desire to express themselves in a way they see fit. 

Which is why, India’s People’s Union of Civil Liberties (PUCL) in its statement had said that Aseem Trivedi’s arrest is: “an attack on the freedom of speech and expression granted under the Constitution of India. Merely expressing one’s views against the corrupt politicians, bureaucrats and corporate through any medium of one’s choice does not in any way constitute sedition”. 

This brings me to my second point, on whether Aseem Trivedi’s cartoons were really seditious or not, and I feel that one must think before they decide. Let me paint a picture of at least four of the cartoons for which the cartoonist was put in the locker. 

In one cartoon, he drew Ajmal Kasab - the only terrorist caught alive during Mumbai Terror attacks - as a dog urinating on a book titled Indian Constitution (It is somewhat ironic that it is the same constitution that the cartoonist’s supporters say gives the cartoonist, the right to freedom of expression)! 

In a second cartoon, instead of the three lions of India's Ashoka symbol, the national emblem, he used three bloody-jawed wolves. And the usual legend under the symbol  Satyamev Jayate, translated as "truth alone triumphs" was replaced byBhrastamev Jayate which means "corruption alone triumphs." 

In a third cartoon he drew six toilet commodes (with 'polling booths' written on each) connected by pipes to the Indian parliament building; telling viewers what, or who, is being flushed into the parliamentary building from across the country. 

In a fourth cartoon, the Indian parliament building or the ‘Sansad Bhavan’ in New Delhi, is drawn, as a toilet bowl, with flies hovering above. 

Though somewhat rude and offensive, they seem to have very effectively portrayed and mirrored the frustration of the masses in the aftermath of the recent corruption scandals that rocked the nation.  We know that a political cartoonists’ job is to do just that. And, as can be seen from the support he received, many people seem to agree with the cartoonist. 

Making fun of the constitution, even in pictures, is obviously not very agreeable. But calling the act downright criminal and calling it seditious is definitely carrying it too far. It is making a mountain out of a mole hill. 

And, any law, of imprisonment for life, or for three years, for these types of drawings is definitely draconian. 

A government which wants Washington Post to accept an angry note (written in response to Post’s article calling Indian Prime Minister inefficient), must be willing to accept an angry cartoon from those who disagree.  Tolerance is a difficult virtue.  But, it is a good one to have. 

Times have changed. Exacting unquestionable obedience from faithful subjects is a thing of the past. While the writers and cartoonists must be self-censuring and responsible, I am sure the law needs a revisit. Governments too, should not misuse this law by its loose interpretation.   

John Stuart Mill, one of the greatest Free Speech advocates, in his essay ‘On Liberty’, said this:  “The peculiar evil of silencing the expression of an opinion is, that it is robbing the human race; posterity as well as the existing generation; those who dissent from the opinion, still more than those who hold it. If the opinion is right, they are deprived of the opportunity of exchanging error for truth: if wrong, they lose, what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.” 


Thursday, September 06, 2012

The Sins of the Father - Book Review

First off, I admit, I am a die-hard Jeffrey Archer  fan.  I read all the 17 novels he has written.

So, doubts about objectivity and trustworthiness of this book review, if you have any, are definitely reasonable and well-founded. You might say my thinking is clouded. And, you are within your rights to stop reading. But hear me out. And then decide.

“Sins of the Father’ begins with Harry Clifton’s ship docking at the New York Sea Port, around 1941, soon after Britain declares war on Germany in WW II. He had been crossing the Atlantic, from Bristol in UK. The motive was to escape to the land of liberty, and avoid marrying Emma Barrington, because he simply cannot marry her due to a deep dark family secret.

The last I had seen Harry was in the last chapter of Only TimeWill Tell, when he was aboard the American ship USS Kansas Star. He was among the few rescued when the British ship he was originally travelling in from Bristol, was hit by a torpedo from a German U- boat. Harry Clifton then assumes the identity of a fellow passenger rescued along with him, Tom Bradshaw, who dies on the route to New York.

On landing, Harry is promptly arrested by New York police. And he realizes, too late, the great dangers of taking on the identity of a man whom he hardly knew.

Why does Harry change his identity? Well, you must read the first book to know the reasons.

Both the books, Only Time Will Tell and The Sins of the Father, are the first and the second from the five Clifton Chronicles that Jeffery Archer had promised readers a couple of years ago. Here is his facebook note to readers. You will see readers' comments too.

And like me, I am sure, many other readers must be hoping he won’t be finished before he finishes the five books. I wonder what’s in the mind of the master story teller, for the next three books.

Anyway, let’s come back to this book.  

Emma Barrington is in UK, when Harry is arrested in USA. She is, by then, with an unborn child from Harry Clifton, who is unaware of it. She wonders where he disappeared – and starts investigating. Giles Barrington, brother of Emma, and best friend of Harry Clifton, is also shocked at the disappearance – but has to join the war. Massie Clifton, mother of Harry receives a letter from someone, but is unable to understand why such a wonderful son, whom she struggled hard to raise up, has gone off suddenly into the dark.

These are not spoilers. You wont lose anything from knowing the above. but reading the first book is essential.

The novel is written in different parts during the WW II years (1941-1945 mainly). From the perspectives of Harry Clifton, Giles Barrington, Emma Barrington and Massie Clifton; all being key characters in the story.

Though not Chronologically perfect - considering the overlaps of narratives of the same accounts at different times by different people - it makes very enjoyable reading. It is a definite page-turner gathering momentum to reach a climax that almost made me gasp, when it ended. And I am eagerly waiting for the third novel in the series, and what it might bring.

We see that in all his novels, the protagonists are all usually exceptionally bright. Their spouses or partners are exceptionally loyal to them, and vice versa. They are all true-blue British who join the war ‘to shoot a few Germans’.

We see in almost all his writings, a generous sprinkling of historical tidbits, contemporary to the times in which the plots are set. We also see the some wonderful secret well-wishers of protagonists.

You will see them in this book too. But isn't that what we all love to read? The human touch in extraordinary tales?

My main regret is that I will forget some finer details in this book by the time I read his next book which may take an year from now to be published.

I enjoyed it. I am sure you would too. But read the earlier book first. And follow it up with this.

Joel’s verdict? Four Stars out of five.

Here's the trailer of the Book.